Stencils, Cut-outs & Chine Colle
July 28-29, 2026
with Haley Mackeil

Translate drawings, graphics, and shapes into complex layered prints by creating physical stencils, cutouts and matrices to incorporate into printmaking processes of monotype, monoprint, and chine colle. Learn to cut stencils by hand and with a Silhouette Cameo stencil cutter. Then, utilize your stencils to develop richly layered prints on the press.

Materials List: will be sent once you register for the class. Bring concepts, sketches, images to start from and an open mind.

Cost: $240 + $20 materials
Hours: 10 am to 4 pm, with a lunch break
Workshop Contact: This email address is being protected from spambots. You need JavaScript enabled to view it.

To Register: Receipt of 50% deposit confirms your registration until it is full. Remainder due on first day of class.
To Pay: Venmo to @Jane-Goldman-6, or mail check made out to Mixit Print Studio to:
Jane Goldman
Mixit Print Studio
32 Clifton Street
Somerville, MA 02144

Workshop Cancellation Policy: You may cancel up to 3 weeks prior to start of class to get a full refund. After 3 weeks we will refund your deposit only if you or Mixit finds a replacement.

Grounded and Green
August 28-30, 2026
with Liz Chalfin and Sofi Coholan

Learn fundamental methods with the versatile non-toxic etching ground B.I.G. and spray aquatint (instead of rosin). Instructors Liz Chalfin, founder of Zea Mays Printmaking, and Sofía Coholan will teach you ways to produce – and experiment with – line, texture, and value on copper. Liz and Sofí can answer all your questions about less toxic printmaking for a healthier studio practice.

Class time will include demonstrations, time to explore the new techniques and personal assistance in printing.

Materials List: will be sent once you register for the class. Bring concepts, sketches, images to start from and an open mind.

Cost: $360
Hours: 10 am to 4 pm, with a lunch break
Workshop Contact: This email address is being protected from spambots. You need JavaScript enabled to view it.

To Register: Receipt of 50% deposit confirms your registration until it is full. Remainder due on first day of class.
To Pay: Venmo to @Jane-Goldman-6, or mail check made out to Mixit Print Studio to:
Jane Goldman
Mixit Print Studio
32 Clifton Street
Somerville, MA 02144

Workshop Cancellation Policy: You may cancel up to 3 weeks prior to start of class to get a full refund. After 3 weeks we will refund your deposit only if you or Mixit finds a replacement.

All Things Akua: Individual Tech Sessions
with Catherine Kernan – Schedule Individually

Working one-on-one, attention is focused on exactly what you want to learn for your particular project and way of working. The sessions include lots of printing, critique, and technical information all of which feed directly into aesthetic sensibilities. Equivalent in contact hours to a five-day workshop, but in a much more concentrated way, this way of working has proven highly satisfactory and very inspiring.

Contact Catherine for details and scheduling: https://catherinekernan.com

Individual Critiques / Small Group Critiques
with Randy Garber – Schedule Individually

To guide you through conception to execution.
Contact: This email address is being protected from spambots. You need JavaScript enabled to view it. for details.

Ink and Interference: The Artful Way of Printmaking
June 22-26, 2026

MakingArtSafely
Santa Fe, New Mexico
Register: https://makingartsafely.com/catherine-kernan
Two spaces have just opened up!

Turn your images into relief woodblocks without touching a carving tool.

In advance of the workshop, participants will be asked to digitally send images to Catherine for advice on selecting the best ones for CNC or laser engraving. Your CNC carved or laser engraved images will then be ready to use upon arrival at the studio. More blocks can be carved during the workshop, and hand carving can be added.

Carving woodblocks can fix an image, setting it up for repetition. Or woodblocks can be used in a dynamic way that yields unexpected results without reducing or re-cutting the blocks. Combinations of woodblocks set in motion long sequences in which related images recur and transform in an endless variety of evolving images.